Nine months ago I started writing this sewing blog. I thought I’d write a post today as a reflection on how things have gone so far – just in case anyone out there might be thinking about starting one of their own.
May 2018: I’d been sewing for nearly five years, and reading blogs obsessively for most of that time. Though I enjoyed reading what other people had written, I had no intention of actually writing my own. I would have been more than happy to write about any and every aspect of sewing, but with such a visual medium I couldn’t bear the thought of taking pictures of myself and publishing them for the world to see. It’s a truth universally acknowledged that I don’t take a good photo. My ability to gurn in the most serious and romantic photos is well-renowned.
So it was with much trepidation and misgiving that I changed my mind.
Having read blogs for many many years and enjoyed reading them I was always fascinated about what it would add to my experience of sewing to actually start writing about the process. In parallel to my love of sewing, my husband has an interest in films that borders on obsession. He’s written a (brilliant and insightful) film blog for the last six years (read it: I know I’m biased but it’s excellent). Early on in that time I bought him a workshop at the Guardian with their film critic, Peter Bradshaw. One thing that really stuck with him from that day was a discussion around the way that your experience of something changes when you start to write about it. You stop being a passive observer and analyse your own position, thoughts, feelings and so on. I could see definite comparisons with sewing and was curious about how it would change my creative enjoyment of dressmaking.
So this is a reflection on how things have gone, and what I’ve learned so far.
Lady WordPress tells me that I have written 12 posts in the last nine months. She notes that 885 different people have visited my site so far (thank you all) and that my average word count per post has gone up in 2019 with a corresponding reduction in likes. Hmmm, something to think about. Apparently 48% of traffic happens on a Monday, with 4pm the busiest time – I’m not 100% convinced about this, because Lady W has told me that Monday is the best day to publish something from the beginning – so is its busy-ness cause or effect? Most visitors have been from the UK, but with a healthy proportion from the USA, Australia and mainland Europe.
In those months, some lovely people have followed my blog and commented, but most people who read anything I have written come from the Foldline community and their Facebook page. It’s this wonderful fact that has helped me come to terms with photos of me being displayed on the internet for everyone to see – because actually, the only people visiting are the lovely sewing community and they are the last people in the world who would call me out on my photos, figure or finishing. My family supportively read each post too (or they tell me they do), but I trust that they aren’t easily shocked after all these years by bad photos of me.
Writing about my sewing has definitely changed the way I approach projects. I’ve never been speedy (see my tag line), but I’ve always been fairly instinctive about my sewing choices. I find that in thinking about the blog, I’m more thoughtful about my decisions about what project to undertake next.
Although I thought I would, I’ve not written a blog about everything I’ve made in this time. One example was some waxed wraps that I made in the autumn – I took pictures as I went along with every intention of writing it up for the blog – but in the event there was nothing new that I had to say about the process or the result. I’d looked up the ‘how to’ online, and followed the guidance of Heather Lou – so with nothing new to add to the party, it seemed a bit ridiculous to say “and this is how I did it too”. It’s a great method, and I strongly recommend having a go, for what it’s worth!
I’m definitely more reflective now about what went well in a project, and what I’d change for the next time around. Again it’s probably in parallel with the fact that I’m getting a little more experience under my belt, but I enjoy thinking about what worked and what didn’t – and why: was it the fabric, the pattern, the sewing, the notions, did I rush it, did I learn a new skill? What does the garment do for my (vertically challenged) proportions, and what does this tell me for my next choice?
As a final point, one of the most popular posts I’ve written so far was about the Sewing Weekender in August. As something of an introvert, I found it interesting to write about my experiences in that context – sharing sewing with others in a way that I don’t, as a rule. Lots of lovely people who were there that weekend reached out and said warm and encouraging things, and it was great to share The Fear and be reassured. Another thing that came out of it was an out-of-the-blue contact from Frances Tobin – The Maker’s Atelier, who had been at the weekend as a speaker. She’d read my blog and wanted to include some of this perspective in her lovely magazine.
It was an absolute rush to the head to finally see it in print this month – so thank you to Frances and to everyone else who has given me the confidence to write these Tales – in particular the Foldline community. I look forward to writing more of them in 2019 and beyond.