Comfort is everything. I sew things I want to wear, and for me that means clothes that fit without constriction, that flatter a body that is likely to eat a hearty lunch, and that move easily between an office job and a home with assorted children, cats and commitments.
That might explain why I chose to spend new year’s day sewing my fourth Sew Over It Heather dress. Fourth. Yes, I can’t believe it either.
This was an impulse sew, and all the better for it. I’d not found the time (really, let’s face it, the motivation) over the Christmas break to get started with a project, but enjoying a quiet soothing day before returning to work on 2nd January, it was a perfect quick sew.
I’ve not been sewing long enough to have many patterns that I’ve made repeatedly – unless we count the TATB Margot pyjama trousers from her first book and actually her Coco top which is a perfect fit for me. Otherwise, though I tend to think I’ll get great value from a pattern by making 12 of them, I usually then get distracted by the next shiny thing. There are so many lovely patterns!
This impulse sew derived from me searching through my disorganised and overflowing stash for a couple of metres of navy ponte that I knew was in there. I was mulling a cardigan or a dress with it and wanted to see how much I had and what it would tell me it wanted to be (or something like that). I didn’t find the navy, but I found a 2 metre piece of a black and white lace patterned ponte that I’d entirely forgotten I even owned.
My disorganisation is a high price to pay for these moments of serendipity, but as I’m stuck with the former, it’s only right that the latter should bring me such joy.
From initial cutting out to snipping threads from the finished dress was about half a day I guess. A longish half-day because I’m not speedy. I’d adjusted the pattern slightly over the last three makes, mainly adding about 4cm in length (I’m 5’2, so this is an adjustment I almost never have to do – guess my mid-forties self enjoys a slightly longer dress length than the SOI standard).
I didn’t have quite enough fabric to cut the neckband on the grain, so used the cross grain – and it’s really the only part of the make that annoys me. It doesn’t quite sit right, and if I had more patience I’d unpick it and do it over. Maybe I will.
Or maybe not. Let’s see if it annoys me still after its first outing – and whether anyone else on the planet would even notice. Except sewists. They would notice of course, but they’d be far too charming to mention it, and insist that it was lying completely flat.
The Heather pattern is a gentle cocoon shape with deep diagonal pockets on the front. Somehow I find it flattering, though logic tells me it shouldn’t be. Something about the intentional apple shape both gives the illusion of the waist bulk being a dress feature (rather than a post-Christmas feature) while at the same time allowing easy movement, capacity for lunch and pockets full of my daily essentials (phone, tissues, glasses etc). If it’s not as flattering as I think it is, please don’t burst that bubble. Sometimes I think that nature designs the failure of our eyesight at just the right rate, and I just hope that my husband is as poorly sighted as I am now.
The verdict for me is a happy one. There’s nothing as soothing in having to return to work on 2nd January as having a new, comfy frock to wear. I spent the last day of my holidays, in my PJs, doing the hobby I love. An excellent start to 2019 – plenty more days like this one please.