One of the best things about sewing is being about to make totally unique and personal presents for people that you love. A gift that represents your (sometimes literal) blood, sweat and tears, shows that you’ve really thought about the person you’re sewing for, and that you want to give them your time, your care and your creativity.
One of the worst things about sewing is knowing that the gift you’re giving is less polished, more expensive and possibly never to be used/worn, despite the above-mentioned blood, sweat and tears.
As you may have guessed, I’ve spent the last couple of weeks making presents for two of my dearest friends – both of whom have had sad times recently, losing people that they loved. I decided to make them each a kimono, using the Seamwork Almada pattern. It looked like a really interesting pattern, that would hopefully be forgiving given that I wouldn’t be able to measure or fit either garment.
Preparation is key – and as with all PDF patterns, I’d anticipated spending a couple of hours piecing together the print-at-home A4 sheets. However Seamwork has partnered with Patternsy to allow you to easily get the pattern printed and sent to you. I was tempted, but thought it was a bit indulgent – after all, sticking together A4 sheets is not too hard. Then our printer stopped working, and the £6.21 to get it all beautifully printed and sent seemed like a wonderful idea.
I was very impressed with the service from Patternsy and would definitely use it again – I ordered the pattern on a Sunday afternoon, paid by Paypal, and the printed envelope arrived on Tuesday. The tissue it was printed on was flexible but strong, and it was all full colour. Now I just needed the fabric.
I searched in my usual fabric shops and online for some cotton lawn that felt right – I wanted the structure from the lawn rather than an overly slippery and drapey fabric, but also wanted that fluid softness that you get with a nice lawn. I couldn’t find anything that I liked – or maybe just indecision was keeping me from moving forwards. Anyway, the Handmade Fair arrived at Hampton Court while I was trying to make my choice, so being local I felt morally obliged to go and spend some time wandering around investigating the options.
The good news: I did find some beautiful cotton lawn at the Sew Over It stand – buying the Lisa Comfort Elderflower Press in navy and the Busy Blossom (now out of stock), also in navy. The bad news: I then wandered around the fair, looking at beautiful handmade products – and noted hundreds of lovely kimonos, for similar or cheaper prices than I’d just spent on fabric, all expertly finished.
Here’s hoping that my friends decide that it’s the thought that counts …
So, the Almada is a nice pattern to make. After reading some reviews, I made the size medium, but extended the length to the longest size setting, for decency. I made a few miles of bias binding from some beautiful green silk that I bought in India this summer, that co-ordinated well with the colours in the lawn. I’d already decided that I wanted to try Hong Kong binding on the back seam, because it would be seen when it was hanging up – and the pattern also calls for quite a lot of bias binding to finish the edges of the fronts and neckline.
It was interesting to be making two kimonos at the same time – not something I’d normally do. It certainly took longer than making one item, but much less than making two separate things, if that makes sense. I’m sure that I learned from sewing different stages on the first one, and that the second time of sewing was sometimes a little more exact – but as I switched which one I was working on first regularly, hopefully the final garments are equally good/not-good.
I was pleased with the Hong-Kong binding – I’m increasingly enjoying the inside of garments looking pretty, and the way it met with the neckline binding was something that gave me a lot of satisfaction. I totally failed to get a picture of it though – sorry. I was also pleased with the way I applied the binding around the front edges – I left a thin edge of the binding showing on the outside, because the green is such a lovely shade.
I suppose my final reflection is that this is a nice pattern, and the fabrics were lovely to work with and I hope they’ll suit my friends. I’m nervous that they’ll be on the big side, but hope that a kimono is a flexible enough piece that they’ll still wear them.
More importantly, now they’re packaged and sent off – I hope that the ‘fabric hug’ that they represent as far as I’m concerned, is the thing they actually receive.